
I've gone through various phases of trying to get organised over the years, and it confounds me.
I have another life as a senior manager in my day-job where I'm super-organised (have to be!) and not only that organise and manage business processes and planning not only for myself, but also for a department of over 200 people within a large complex organisation. My house is tidy and organised, so are my wardrobes and cupboards. I cook from scratch every night, manage a garden, chickens etc etc etc.
So why am I so hopeless in my creative life? It got me thinking...
I've come to the conclusion that it's not about being organised or not. It's about inner demons, doubts about the value of my own ideas, and a certain strange lack of confidence in expressing my own creativity.
So here's my notebook saga.. it may be of some comfort to those of you who are facing your own notebook and design issues... any of this familiar? I'd love to hear about your experiences..
1) I bought endless styles of notebooks, trying to find the 'right' one - the result of that is a pile of partly started notebooks, because, of course, my inner negative demons tell me that my writing/drawing/painting/poems etc aren't quite beautiful or good enough for the perfection of the notebook.
2) I have tried one notebook for each theme I want to develop; so one for drawing, one for books I want to read, one for quotes, one for places I've been to, places I want to visit, designs ideas etc. That way I have a confusion of notebooks, none of which are in the right place at the right time. I have been known to pack more notebooks than clothes to go on holiday, because of course, I think that when I'm on holiday, I'll be able to do all the sketching I've ever wanted to do.. the result of this strategy for me is never to have the right notebook in the right place at the right time.
3) I have tried one notebook for everything to carry everywhere, except that I forget to transfer it from one bag to another when I change bags.
4) I then tried one notebook for each bag, but found that I could never remember where I'd noted stuff, or it was all terribly disjointed and my notes made no sense..
5) I then kept notes, cutting, photocopies in folders and box files for a while... they're all gathering dust on the topmost shelf..
6) at one very confused stage, I decided to do without notebooks and just remember stuff..
7) I used post-it notes in every bag, and a corkboard to stick them on when I got home
8) don't even get me started on the topic of art-journalling...
So, now I've enrolled on a course in textile arts, and you can imagine the paralysis that ensued when I realised that the first thing I have to do is keep a logbook and a sketchbook (actually more than one). And that I have to send them to my tutor for her to see (it's a distance-learning course)
What's a logbook? what's a sketchbook? what size should they be? lined or blank? cartridge paper or watercolour weight? patterned cover or plain? Hardback, softback? ringbinder/bound? looseleaf folder/boxfile..
The answer to these questions? - there is no answer! I have to find the solution that works for me... in other words, there is no perfect solution..
Ah, now does that leave me back with numbers 1-7...? No, because I have already learned something. The point of keeping notes, sketches and samples is about the process not the product. Ideas and sketches are personal and a learning journey.
So, instead about worrying about the tools I use and how to store them, and whether my work is perfect enough or not, I have found this very successful strategy:
>I bought 6 ringbound plain covered hard-back A4 sketchbooks. One of them will be my logbook to write thoughts, progress, reviews etc The others will be sketchbooks. Because they are plain and all the same size, I can swap pages about from sketchbook to sketchbook and also sketchbook to logbook. I can tear things out I don't like without spoiling anything. I can cut holes in the pages and reveal what's coming on the next page or what went before. I can colour them, scrawl over them, glue things in. I can look at things a week later and see them in a completely different way. I've realised that inspiration is all around me, and that by capturing it in my sketchbooks, and letting my inner positive demons defeat the negative ones, my creative energies have been set free..
[but I also now carry a mini-sketchbook, drawing pencils with a notebook, block of post-it notes, various pens and fabric/yarn samples with me at all times... I'm thinking about buying a mule or donkey to carry it all..
There's also a pin-board in my craft-room and endless box-files of stuff, and when I'm in the mood, I spread it all out and wallow in it all.... because the other thing about doing an art course is that you need so much stuff... ]

So here's what I've learned:
- I don't have to worry about how it looks because it's not about that.
- Mistakes are a good thing.
- The only person judging it is me.









